E-Mu Morpheus Spécifications Page 143
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Noté. / 5. Basé sur avis des utilisateurs
Vintage Pro Owners Manual 133
Edit Menu
Z-Plane Filters
128 filters of 2nd to 6th order complexity or 64 filters of 12th order
complexity. Therefore, if you decided to use all 12th order filters, Vintage
Pro would be limited to 64 voices. Filters are dynamically allocated
according to their usage so that the maximum number of voices is always
available. See page 102 for more information about filters.
Filter Types
This screen allows you to choose the type of filter for the current layer.
Filter Name Order Type Description
Smooth 02 LPF Typical OB type low-pass filter with a
shallow 12 dB/octave slope.
Classic 04 LPF 4-pole low-pass filter, the standard filter on
classic analog synths. 24 dB/octave rolloff.
Steeper 06 LPF 6-pole low-pass filter which has a steeper
slope than a 4-pole low-pass filter.
36 dB/octave rolloff!
MegaSweepz 12 LPF “Loud” LPF with a hard Q. Tweeters beware!
EarlyRizer 12 LPF Classic analog sweeping with hot Q and
Low end.
Millennium 12 LPF Aggressive low-pass filter. Q gives you a
variety of spiky tonal peaks.
KlubKlassik 12 LPF Responsive low-pass filter sweep with a
wide spectrum of Q sounds
BassBox-303 12 LPF Pumped up lows with TB-like squelchy Q
factor.
Shallow 02 HPF 2-pole high-pass filter. 12 dB/octave slope.
Deeper 04 HPF Classic 4-pole high-pass filter. Cutoff sweep
progressively cuts 4th Order High-pass.
Band-pass1 02 BPF Band-pass filter with 6 dB/octave rolloff on
either side of the passband and Q control.
Band-pass2 04 BPF Band-pass filter with 12 dB/octave rolloff
on either side of the passband and Q
control.
ContraBand 06 BPF A novel band-pass filter where the
frequency peaks and dips midway in the
frequency range.
Swept1>1oct 06 EQ+ Parametric filter with 24 dB of boost or cut
and a one octave bandwidth.
L1
FILTER Ord Type
Phazer 2 E4 6 PHA
Filter Types
LPF Low-pass filter
HPF High-pass filter
BPF Band-pass filter
EQ+ EQ boost
EQ- EQ cut
VOW Vowel / formant
PHA Phaser
FLG Flanger
REZ Special resonance
WAH Wah-wah
DST Distortion
SFX Special Effect
- Vintage Pro 1
- Table of Contents 2
- Vintage Pro Owners Manual 3
- E-MU Systems 10
- Introduction 11
- Overview 13
- Important Safety Instructions 14
- Radio and 16
- Television 16
- Interference 16
- SCHLAG ODER PERSONENSCHADEN 18
- Vintage Pro Owners Manual 9 19
- 10 E-MU Systems 20
- Conservez ces instructions 22
- Interférences 22
- Connection 24
- Instructions 24
- 0.987654321 25
- Performance Setup 26
- Instant 28
- Gratification 28
- To Audition a Preset 29
- Bank Organization 30
- Basic Operations 31
- Front Panel 33
- Controller 33
- To Quick-Edit a Preset 34
- KNOBS DEEP EDIT 35
- To Change the MIDI Channel 36
- To Change the Preset 36
- To Change the Channel Volume 37
- To Change the Channel Pan 37
- arp: Classic 38
- C01A V127 P01 38
- A:off User 38
- Navigator 39
- Operation 40
- Arp/Beats Menu 41
- BASE TEMPO 43
- 20 bpm (current: 182) 43
- Factory Setup 45
- Beats Channel (BtsCh) 46
- Trigger Channel (TrigCh) 46
- bts: SynhissOrgan 47
- Original 49
- Transposed 49
- BEATS KEYS LAYOUT 50
- BEATS KEYS OFFSET 51
- +000 keys 51
- BEATS PART VELOCITY 52
- Scaled by: trigger vel 52
- BEATS PART TRANSPOSE 53
- +00 semitones 53
- To Assign a Part to a Group: 54
- To Assign the Master Riff: 54
- To Set the Riff Tempo Mode: 55
- 46 E-MU Systems 56
- C01 V127 P00 57
- A:P User 57
- arp: Sine Drum 57
- Arpeggiator 58
- Master Arpeggiator Parameters 59
- Key Sync 63
- Quantize 63
- 54 E-MU Systems 64
- Pre-Delay Duration Post-Delay 65
- Send MIDI 66
- Exclusive Data 66
- Velocity Duration Repeat 67
- + OffsetOffset 68
- To Edit a User Pattern: 69
- To Name a User Pattern: 70
- Multi-Channel 71
- Arpeggiating 71
- Using a MIDI 72
- Interface to 72
- Channelize 72
- Master Menu 73
- Defining 74
- MASTER VELOCITY CURVE 75
- MIDI CHANNEL 77
- 68 E-MU Systems 78
- Mix Screens 78
- 72 E-MU Systems 82
- Selected 85
- 78 E-MU Systems 88
- MIDI Parameters 88
- Current Multisetup 90
- Program /Preset Map 90
- All User Tuning Tables 90
- Multimode Map 90
- SEND MIDI SYSEX DATA 91
- USER KEY TUNING Table:1 91
- Key: C1 Crs: 036 Fine: 00 91
- Volu m e 94
- Envelope 97
- Generators 97
- Oscillators 99
- Modulation 100
- LFO Synced to 1/4 Note Clock 101
- Destinations 102
- Processors 103
- Flip-Flop 104
- Quantizer 104
- Lag Inputs 104
- Real Rocket Science 106
- Velocity 107
- 98 E-MU Systems 108
- Programming Basics 108
- Preset Modulation Processors 108
- Dynamic 111
- Low Pass 112
- Band Pass 113
- Frequency 113
- Amplitude 113
- Low Q Med Q High Q 113
- Parametric 115
- 106 E-MU Systems 116
- Dynamic Filters 116
- Instrument 117
- Z-Plane Filter 117
- MIDI Channels 118
- Real-time 118
- Controls 118
- Preset Edit 119
- MIDI BANK SELECT 120
- Stereo Mix 121
- MIX OUTPUT 122
- MIX OUTPUT 122
- Edit Menu 123
- 114 E-MU Systems 124
- Four Layer 125
- Architecture 125
- Defining Layer 126
- Parameters 126
- Defining Layer Parameters 127
- 128
- C0 C1 C2 C3 C4 C5 C6 129
- Layer 1 Layer 2 130
- Fade Fade Switch 130
- Increasing Velocity0 131
- Layer 2Layer 1 131
- 122 E-MU Systems 132
- Realtime Control Value 133
- 124 E-MU Systems 134
- 126 E-MU Systems 136
- Tempo-Based Envelopes 137
- Key Down Key Released 138
- ASSIGN GROUP 141
- 132 E-MU Systems 142
- Filter Types 143
- Filter Parameters 146
- FILTER ENVELOPE 147
- FILTER ENVELOPE 147
- Repeat: off 147
- (two cords) 149
- Variation 152
- PatchCords 153
- Control Value Applied 154
- LFO 1 & 2 Trigger 155
- Jack Detect 158
- FXA ALGORITHM 159
- Lg Concert Pan 159
- B Effect Types 160
- The Just C Tuning Tables 165
- Just C2 minor 165
- 156 E-MU Systems 166
- Preset Links 166
- Preset Tempo Offset 167
- 158 E-MU Systems 168
- Play Solo Layers 168
- Programming Tutorial 169
- 160 E-MU Systems 170
- Editing Presets 170
- To Chorus a Layer 171
- To Setup the Volume Envelope 172
- Adding the Filter Envelope 174
- To Setup the Filter Envelope 174
- Changing Filter Types 176
- Envelope Repeat 177
- Linking 179
- Using External 180
- Processing 180
- Multitimbral 181
- Sequencing 181
- 172 E-MU Systems 182
- Multitimbral Sequencing 182
- Effects 183
- 174 E-MU Systems 184
- Effects Overview 184
- A Effect Types 185
- High Frequency Damping 186
- Feedback 186
- LFO Rate 186
- Programmed 187
- 178 E-MU Systems 188
- Master Effects 188
- Flexible Effects 190
- “multi” for the mode 191
- FX MULTIMODE CONTROL 192
- Effect B 193
- Effect A 193
- General Effect 194
- Descriptions 194
- General Effect Descriptions 195
- 186 E-MU Systems 196
- Save/Copy Menu 197
- Copying 198
- Information 198
- COPY CORDS User 199
- : Source Preset 199
- To Copy a Preset PatchCord 200
- To Copy a Preset Bank 201
- 192 E-MU Systems 202
- Multisetups 202
- To Save a Multisetup: 203
- Create Random 204
- Any User Preset 204
- Authoring 205
- 198 E-MU Systems 208
- Sound Authoring 208
- Appendix 209
- Beat Preset 210
- Knob Function 210
- Arp Preset 210
- User Bank 0, VROM Bank 0 211
- User Bank 1, VROM Bank 1 212
- User Bank 2, VROM Bank 2 213
- User Bank 3, VROM Bank 3 214
- Instrument Listing 216
- Riff Listing 219
- 212 E-MU Systems 222
- Velocity Curves 222
- PatchCord 223
- Amount Chart 223
- Expansion 224
- Sound Sets 224
- E-MU Expansion Sound Sets 225
- Installing 226
- Sound SIMMs 226
- Replace the Top Cover 227
- Problems? 227
- MIDI Timing & Sync 228
- Extension Capability 229
- Vel->amp 232
- MIDI Device Inquiry Responses 234
- Received Channel 235
- Commands 235
- Bn 00 bb 235
- Bn 20 bb 235
- Technical 236
- Specifications 236
- Warranty 237
- Restrictions 237
- How To Obtain 238
- Warranty Service 238
- Numerics 239
- 238 E-MU Systems 248
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