E-Mu Morpheus Spécifications télécharger pdf (Page 178)

168 E-MU Systems

Programming Tutorial

Editing Presets

Troubleshooting A common source of confusion when working with the ﬁlter envelope is

that the Attack or Release parameters might not seem to be working

correctly. If you are not getting the expected result, try to analyze the

situation. There will be many times when you will have to stop for a

minute and think, “What am I trying to do and why isn't it working?”

When this happens (and it will), don't panic. Troubleshooting is a normal

part of the synthesis process. Simply examine the various parameters and

try to be as analytical as possible as you solve the problem. The solution is

usually simple (the ﬁlter is already wide open and can't open any more).

Learning to play any instrument takes a little patience and practice.

Referring to the diagram below which shows the Vintage Pro signal ﬂow,

notice that the DCA comes after the Filter. The DCA controls the ﬁnal

volume of the sound, so if the ﬁlter's release is longer than the release for

the DCA, you won't hear it, because the DCA has already shut off the

sound.

You’re getting the general idea by now. Remember not to select a new

preset before saving the current one or all your changes will be lost (the

preset reverts to the last saved version). If you want to save your creation,

select the Save/Copy menu and select a destination preset location for your

masterpiece, then press Enter.

Because you can save your work, it’s worth spending time to get the sound

just right. When designing sounds you become an instrument builder as

well as a musician and with Vintage Pro you can design virtually any

instrument you want!

Pan

Instrument

Tone

DCA

Z-Plane

Filter

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E-Mu Morpheus Spécifications Page 178